The video in the link above is not mine but rather just one I found that resembles the way mine acts. Mine has EMI issues no matter where I hunt, be it an urban park where I'm sure there is some EMI or in the middle of the woods where I'm sure there should be no EMI. I've ran it for almost a year now and have read most all of Mike Hillis posts "even compiled a list" from them, not as many here but at another forum and why I came to the conclusion it was the nature of the beast, but I had read where a couple had mentioned they sent theirs in for repair and they came back stable so after reading this I was confused again on whether or not it is normal operation. Yes my confidence is shaky at best on my F5 and why I only tot lot hunt with it. I will say neither of my other detectors behave in this manor, maybe the F5 is just not the detector for me, like I mentioned I love the looks of it, I really enjoy the combination of analog and digital controls, the display is large enough these older eyes can read it and it is just a tad coil heavy but for the most a joy to swing. Below is a Tips list for the F5 from Mike Hillis comments:
Set the unit in DIsc mode, d4 (4 tone mode), Gain on 80, Theshold on -9, and Max out your Discrimination. Only recover repeatable high tones. All you'll be hunting is silver and copper and clad dimes/quarters/ etc. Just get use to doing that for awhile. Your treasure to trash ratio will immediately improve. Then when you are comfortable with both the digging and high tone targets, notch in the Nickel range and hunt that way for awhile until you learn that range of targets. Then as you feel comfortable, add in another segment, like the zinc segment. It has has a different tone and you'll be looking at a completely new range of targets.
It wont take long to learn whats good and whats bad, your recovery method will improve and you'll grow more comfortable with the unit. Then you can raise the threshold setting up to 0 and spend time on the deeper and smaller targets.
Most of all, don't be afraid to limit your audio input with the disc and/or notch settings. Keep the audio feed to your ears understandable. When the trash gets too heavy, raise your disc or notch it out so that you can still hunt the good stuff.
When the F5 freaks out and with that double beep sound followed by the two hash marks in the display or nothing in the display, that's a overload signal. When you get one of those you need to raise the coil higher and resweep.
Overloads are caused by surface targets that saturate the recieve circuits or large rusty iron objects targets thats leeched the ground with rust. Rather than just going quiet, the F5 gives a different sound so that you know you are overloaded and can act appropriatly.
Regarding tones that are strong but don't registar a number....at this point in the game you need to ignore those.
The deep grunt tones will be iron objects, usually heavily oxidized. Depending on where you have your discrimination set at, these will either repeat or, as you are discovering, will hit once and then go quiet as the discriminator kicks in and silences them.
Regarding running the Threshold in the positive range that 30 + signal....if you have a good clean, repeatable audio, you had a good target that you lost while trying to recover it. Remember that with postive threshold numbers, the F5 will pickup very small targets that could be hard to locate if you are expecting to see a nickel or tab, and in reality are chasing a tiny rivet. A good Pin Pointer
is very useful in this scenaro.
Think of Gain as a magnifier. The higher you raise it, the more it magnifies target signals, making them appear larger.
The Threshold is split into two features:
From settings of -9 to 0, think of the threshold control as a door. The door is shut at -9 and the door is fully open at 0.
From settings of +1 to +9, think of the threshold control as a volume control that makes all the signals that got into the wide open door louder and easier to hear.
Thats kind of an over simplified description of the controls but pretty accurate nonetheless.
When setting up the detector, think, "how big do I want the signal to be (GAIN) and, how large of a signal do I want coming through the door (THRESHOLD)" and if you have the door wide open (threshold at 0), then how loud do I want the tiniest signals (threshold above 0)
Then of course, the actual site conditions laugh at you and say, "sorry buddy, but you're going to have to make the signals smaller or close the door a little." And then the two of you work out the best compromise for the targets you are after.
The combination of the three features give the user a lot of control over the detector. Add the 4 different tone modes to it and the F5 has a lot going on with the audio.
If it was just a non-repeatable chirp, that would most likely be an iron false, or, if your settings are too high for the site, EMI.
Starting out: gain at 70 threshold at -9. Disc. at min. Run d2 or d3 mode until ya get the hang of it. Metal mode: gain at 30-35,threshold at +1 / +2. If you want high gain, lower your threshold to 0 or into the negative numbers. High trash area: gain at 70, threshold at -9. Notch out iron, foil, tabs, and .50 cent. Running hot: gain at 90,threshold at 0. Or gain at 50, threshold at +5. Machine may chatter when still but stablizes when swung. This is for greatest depth in clean ground (low mineralization). Use a 1 - 2 second to 4 ft swing speed.
3-4 Tones, Discrimination 6, Sensativity/Gain 85, Threshold 0, = hot setup for normal objects..
3-4 Tones thresh at +5 and and the gain at 60 and disc wide open = hot setup for small objects.
The F5 pinpoints right in the open area just in front of the rod. If it will help you, take a golf ball and roll it back and forth in the open area of the coil and you'll see the coil center a little clearer. Then take a piece of chalk or something and mark that center circle if you need to. That will be your pinpoint area.
Also, on shallow targets, you can pinpoint with just the toe of the coil. Don't use the pinpoint mode. Just leave it in your hunt mode and wiggle the coil sligthly back and forth as you pull the coil back and when you loose the signal the target will be just on the rim of the transmit coil (outer loop).
Thanks for the reply's,
Coyote65.